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March 22, 2026Digital humanities quarterly0 citationsOpen Access

Black Waves in Digital Humanities: Vaziri's (2023) Exploration of African Enslavement in the Persian Gulf through Film

ZPZeinab Parishani

Key Points

  • The research aims to analyze the representation of African enslavement in Iranian cinema and its cultural implications.
  • Critical analysis of Iranian films
  • Examination of Indigenous theatrical traditions
  • Incorporation of historical maps to show migration routes and slave trade
  • Identified significant underrepresentation of African enslavement in Iranian cinema
  • Highlighted the cultural narratives that marginalize African voices
  • Emphasized the importance of addressing overlooked historical contexts in global narratives

Abstract

Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive (2023) by Parisa Vaziri offers an in-depth exploration of the intersection of Blackness and slavery within Iranian historical and cinematic contexts. The book critically examines how Iranian cinema portrays African enslavement and marginalized narratives, particularly through fīlmfārsī and Indigenous theatrical traditions. Vaziri underscores the historiographical neglect of Indian Ocean slavery, emphasizing the forgotten stories of the enslaved. By incorporating maps that trace African migrations and the routes of the slave trade, she enriches the reader's understanding of global history.

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Cite This Study

Zeinab Parishani (2025) studied this question.

synapsesocial.com/papers/69bf89a9f665edcd009e9777https://doi.org/10.63744/qd48xg8q27ws
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Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1Racial Blackness and Indian Ocean Slavery: Iran's Cinematic Archive2026
  2. 2Introduction: Relations in the Wake2026
  3. 3Race against Time2024
  4. 4Slave Trade in the Indian Ocean: Expanding the SlaveVoyages Database2026
  5. 5Ugly Past/Insensitive Present: Blackface in Persian Popular Entertainment2024