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March 27, 20260 citationsOpen Access

The Concept of Wisdom (Ḥikmah) and its Connection to Art in the Ontological, Philosophical, and Epistemological Foundations of Islamic Art

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SMSeyed Morteza Moossavi

Key Points

  • The central aim is to investigate the relationship between the concept of wisdom (ḥikmah) and its influence on Islamic art.
  • Analyzed primary Islamic sources including the Qur’an and Hadith
  • Explored classical Islamic philosophy and Sufi mysticism
  • Examined both theoretical and practical dimensions of wisdom
  • Utilized an interdisciplinary approach including theology and art history
  • Reviewed historical examples and philosophical texts
  • Demonstrated how wisdom guides artistic expression in Islamic aesthetics
  • Highlighted the interplay of moral values and metaphysical truths in art
  • Showed that Islamic art visually represents divine wisdom and cosmic order
  • Contributed insights into the ontological and epistemological foundations of Islamic traditions

Abstract

Abstract This study explores the concept of ḥikmah (wisdom) as a foundational element in Islamic thought and its profound connection with Islamic art. Drawing from primary Islamic sources such as the Qur’an, Hadith, and Shia narrations, as well as classical Islamic philosophy and Sufi mysticism, the research investigates how wisdom functions as both a metaphysical principle and a practical guide shaping artistic expression. The article examines the dual dimensions of theoretical (alḥikmah alnaẓariyyah) and practical wisdom (alḥikmah alʿamaliyyah), demonstrating their interplay in the formation of Islamic aesthetics, ethics, and spiritual symbolism. Through an interdisciplinary approach that incorporates theology, philosophy, and art history, the paper highlights how Islamic art serves as a visual manifestation of divine wisdom, reflecting cosmic order, moral values, and metaphysical truths. By analyzing historical examples and philosophical texts, the study contributes to a deeper understanding of the ontological and epistemological foundations of Islamic artistic traditions.

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Cite This Study

Seyed Morteza Moossavi (2025) studied this question.

synapsesocial.com/papers/69c620be15a0a509bde19643https://doi.org/10.5281/zenodo.18879787
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