Sri Lanka is a diverse and multiethnic nation comprising Sinhalese, Tamil, and Muslim communities. However, it has struggled with the aftermath of a 30-year-long conflict, which has contributed to a significant divide between the Sinhalese and Tamils. In this context, many artistic productions in Sri Lanka aim to foster ethnic harmony among its diverse population. Notably, the Sri Lankan film industry has played a vital role in producing cinematic experiences that promote harmony among various ethnic groups, with such efforts tracing back to the early development of Sri Lankan cinema. This study focuses on the role of Sri Lankan cinema in promoting ethnic harmony, with specific reference to the 2018 anthology film Her. Him. The Other, directed collaboratively by Prasanna Vithanage, Asoka Handagama, and Vimukthi Jayasundara, and produced by the Office for National Unity and Reconciliation. The study employs a qualitative approach using content analysis and semiotic analysis to examine how visual elements and dialogue contribute to fostering ethnic understanding among audiences. The findings reveal that the film strongly advocates ethnic equality by portraying multiple ethnic perspectives and shared human experiences. Through its visual and narrative strategies, the film presents ethnicity as a transient and socially constructed aspect of identity, thereby challenging the validity of conflict based on ethnic divisions. The three segments collectively emphasise universal human values such as empathy, suffering, and dignity, which transcend ethnic boundaries. This study contributes to the limited body of research on post-conflict Sri Lankan cinema by demonstrating how cinematic art can function as a medium for peacebuilding and reconciliation. It highlights the potential of film as a powerful tool for promoting unity and human rights in multicultural societies.
K.M.D.Chathurika Nimalchandra (2026) studied this question.