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April 1, 20260 citationsOpen Access

Section 1: The work of the cabinet-maker (kijishi)

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CECarla NISHIYAMA Yuriko YANASE Hiroko EADES

Key Points

  • To explore the techniques and tools used by cabinet-makers in producing butsudans and their relevance to tradition.
  • Described shape and style recognition of butsudan sects.
  • Discussed various chisels and carving tools.
  • Explained wood types like zelkova and cedar.
  • Outlined traditional veneering techniques and the assembly process.
  • Highlighted the artisan’s personality in the context of modern influences.
  • Identified key features for recognizing sects based on kiji design.
  • Outlined specific tools and materials used by kijishi craftsmen.
  • Showed how traditional methods are maintained despite modern influences.

Abstract

The first stage in butsudan production is making the wardrobe-like cabinet or body (kiji). This section talks about how to recognize the ‘sect’ of a butsudan by the shape and style of the kiji. It discusses types of chisels and carving tools used by the cabinet-maker (kijishi). Different kinds and cuts of wood, such as zelkova (keyaki) and cedar (hinoki), are explained, along with a description of traditional veneering (hagitsuke) techniques. Measuring, cutting and preparing the pieces are discussed. Finally the assembly processes are described in detail, since they show the kijishi’s skill to the full. Some attempt has also been made to portray the artisan’s personality and his ways of combating modernisation by attempting to strengthen peoples’ attitudes to traditional Japanese craft skills. Please see the table of contents at the beginning of this section for a comprehensive list of the topics included. Drawings and photos are used to help with understanding.

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Cite This Study

Carla NISHIYAMA Yuriko YANASE Hiroko EADES (2005) studied this question.

synapsesocial.com/papers/69cd7af55652765b073a88dfhttps://doi.org/10.34382/00012290
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