PulseExploreJournal ClubDebatesTrendingResearchersJournals
Instagram
HomeExploreJournal ClubTrending
Synapse
⌘+K
Synapse
April 3, 2026Journal of Homosexuality0 citationsOpen Access

“They Say it’s a Very Lonely Kind of Life“: Queer Loneliness in Andrew Haigh’s All of Us Strangers (2023) and Francis Lee’s God’s Own Country (2017)

View Full Paper
DDDaniel DicksUniversity of Glasgow

Key Points

  • The article aims to explore the relationship between queer loneliness and its representation in film narratives.
  • Analyzed the narratives of 'All of Us Strangers' and 'God's Own Country' for themes of loneliness.
  • Discussed traditional explanations for queer loneliness such as the closet and rurality.
  • Applied queer temporality theory to understand the characters' experiences of loneliness.
  • Re-appraised loneliness as a generative emotion to highlight new connections in the films.
  • Identified perceived hostility and inability to connect as primary causes of queer loneliness in the films.
  • Demonstrated that loneliness complicates traditional narrative structures in queer cinema.
  • Argued that loneliness can lead to new forms of connection between characters, showcasing its generative potential.

Abstract

This article considers the relationship between loneliness and queerness suggested by the quotation in its title, taken from Andrew Haigh's All of Us Strangers (2023). Throughout, I trace the causes and consequences of such a "queer loneliness" in both that film and Francis Lee's God's Own Country (2017). Despite the prevalence of loneliness in queer narratives, fictional and lived, queer loneliness has not received the critical attention paid to other negative queer emotions. To redress this oversight, I begin by considering the causes of queer loneliness and how the films' narratives complicate traditional explanations (the closet, rurality). Instead, I suggest, the films locate their characters' loneliness in perceived hostility from the world and an inability to connect with family and friends. I continue by considering the consequences of this loneliness in the films. I suggest the temporality of All of Us Strangers can be traced to Adam's loneliness, referencing queer temporality theory by Jack Halberstam and Eve Sedgwick. Finally, I follow Sara Ahmed's suggestion of queer loneliness as a generative emotion, re-appraising the depictions of loneliness in the films and arguing that, in the experiences of queer loneliness presented, loneliness allows new forms of connection to be made between characters.

Ask AI
Helpful
Bookmark
Share
View Full Paper

Cite This Study

Daniel Dicks (2026) studied this question.

synapsesocial.com/papers/69cf59635a333a821460a090https://doi.org/10.1080/00918369.2026.2650199
Ask AI
Helpful
Bookmark
Share
View Full Paper

Also Consider

Synapse has enriched 5 closely related papers on similar clinical questions. Consider them for comparative context:

  1. 1All of Us Queers: Memory, Mourning and Melancholy in Andrew Haigh’s <i>All of Us Strangers</i>2026
  2. 2Out on Rural Lands: Country Queer Dis/Orientation and the Potentialities of Loneliness2024
  3. 3The Poetics of Estrangement and the Cinematic Unconscious in <i>All of Us Strangers</i>2025
  4. 4Eco-Queer Imaginaries in God’s Own Country, Portrait of a Lady on Fire , and Call Me by Your Name2026
  5. 5Narrating Loneliness: Isolation, Disaffection, and the Contemporary Novel2024 · 3 citations