Transforming Spaces for Ritual and Theatrical Performance: A Study of the Northern Peak Temple in Quyang County, Hebei Province

The Beiyue Temple in Quyang County, Hebei Province, served as the host temple for worshipping the Northern Peak Deity (Beiyue shen) from its establishment during the reign of Emperor Xuanwu (483–515) of Northern Wei until the reign of Emperor Shunzhi (1638–1661) of the Qing dynasty. The temple currently houses over 200 inscribed stone steles that predate the founding of the Republic of China in 1912. This study addresses how the sacrificial space inside the Beiyue Temple evolved and transformed. By examining historical and archaeological evidence—including archival documents, epigraphic texts, diagrams, and architectural remnants—and focusing on the ‘front altar, rear garden’, the ‘hall for presenting sacrificial offerings of the common people’, and the ‘overhanging eave’, it demonstrates that the temple’s ritual space developed a dual character shaped by both official and folk practices. This duality reflects the interaction between official and folk practices against the backdrop of ‘the downward diffusion of ritual norms’ (lizhi xiayi) from the Tang and Song dynasties onwards. The findings challenge the conventional view that there was no specific space for folk ritual worship inside state-sanctioned temples during the Northern Song dynasty. It also provides vital evidence for the historical development of the sacrificial hall (xiandian) and the layout of pavilion-style stages (wuting) immediately in front of the main hall in temples built during the Song and Jin dynasties.