Abstract Arguably, recent and prospective developments within artificial intelligence are a fascination within contemporary technoculture. The dawning of a new era that is characterised by the various impacts of these technological and scientific advances leads to questions about the type of subject that will inherit and inhabit the consequences of these developments. This paper will examine the role that speculative fiction plays as a site of critical engagement in investigating some of the more urgent questions posed by the intersection between humans and technology, such as the social consequences of projected technologies and the possibilities of changing embodiment, and particularly how these issues prove to be of immense importance for the gendered subject. The essays contained within Jeanette Winderson’s non-fictional publication 12 Bytes: How We Got Here. Where We Might Go Next (2021) provide a perceptive insight into both the promises and the pitfalls of AI technology for the future female and embodied experience. Winterson’s thought-provoking contemplations will be read alongside her fictional novels, The Stone Gods (2007) and Frankissstein (2019), to consider how she utilises the genre of speculative fiction to explore existing representations of gender whilst working to define new transhuman subjects. A recurring theme throughout these novels is the way in which AI, despite its liberating and transcendent potential, is imagined as the inevitable perpetuation of female subjugation.
Laura-Jane Devanny (2026) studied this question.