Black beauty: Shade, hair and anti-racist aesthetics

Abstract Dark skin shade and natural afro-hair are central in the politics of visibility, inclusion and exclusion within black anti-racist aesthetics. This article focuses on black beauty as performative through looking at how the discourse of dark skin equals black beauty is destabilized in the talk of ‘mixed race’ black women. A dark skin shade and natural afro hair become ambiguous signifiers as the women's talk leads to a mobility of black beauty. Their talk is thus an interception in which there can never be a definitive reading of black beauty while also pointing to the binaries of the black anti-racist aesthetics on which they draw. Thus, while women are rooted in racialized and racializing notions of beauty they expand the boundaries of the beautiful black woman's body. Black beauty as an undecidable resists binaries without ever constituting a third term and arises through the disidentification and shame of cultural melancholia.