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May 29, 20260 citationsOpen Access

Depiction of Kissing and Embracing in Byzantine and Coptic art as a sign of Greeting, Veneration and Romance

MEMamdouh Mohamed Mamdouh Osman Elkaradawy

Key Points

  • This research aims to explore how kissing and embracing were depicted in Byzantine and Coptic art as expressions of greeting, veneration, and romance.
  • Analyzed murals, mosaics, diptychs, and manuscripts from churches and monasteries in Egypt and worldwide.
  • Investigated various depictions of kissing and embracing in different artistic contexts.
  • Byzantine art showed apostles kissing Christ's hand, while Coptic art lacked similar veneration scenes.
  • Kissing was intertwined with betrayal in both Byzantine art of Judas and reverent depictions in Christian rituals.

Abstract

Kissing and embracing appeared in the Roman world as expressions of greeting, veneration, and romance. These gestures were performed on the lips, cheek, hand, leg, or foot, as seen in Roman art. Embracing was often accompanied by a kiss as a sign of respect and admiration.Saint Paul described the kiss as sacred, making it part of church rituals, where believers kissed after the liturgy. In Byzantine art, apostles were depicted kissing Christ’s hand, while saintly women kissed His feet. Bishops were shown embracing and kissing each other. Conversely, the kiss symbolized betrayal, as seen in depictions of Judas kissing Christ after his betrayal.In Coptic art, kissing appeared in Mary’s visitation scene and some mythological depictions but was absent in representations of Christ being kissed in veneration or betrayal.This study examines the artistic representation of kissing and embracing, analyzing murals, mosaics in churches and monasteries, diptychs, and manuscripts in museums in Egypt and worldwide.

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Cite This Study

Mamdouh Mohamed Mamdouh Osman Elkaradawy (2025) studied this question.

synapsesocial.com/papers/6a192dd1fab5b468c4416cc2https://doi.org/10.21608/thalexu.2025.354832.1139
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