PulseExploreJournal ClubDebatesTrendingResearchersJournals
Instagram
HomeExploreJournal ClubTrending
Synapse
⌘+K
Synapse
May 31, 2026Monatshefte0 citations

Remembering and Narrating the “Bloodlands” in Josef Haslinger’s Jáchymov (2011)Die “Bloodlands” in Josef Haslingers Jáchymov (2011) erinnern und erzählen

CNCarl Niekerk

Key Points

  • This research focuses on the narrative strategies employed in Josef Haslinger's novel to recount the traumatic episodes of postwar Czechoslovakia. It aims to explore how these narratives shape collective memory of historical violence.
  • Analysis of narrative techniques in Haslinger's Jáchymov
  • Examination of historical contexts related to the arrest of the national ice hockey team and subsequent events
  • Reflection on memory's multidirectional nature across different historical accounts
  • The novel effectively integrates multiple historical narratives, revealing the layered trauma experienced by individuals and society.
  • The character Anselm Findeisen facilitates the daughter’s recounting of her father's traumatic story, highlighting personal and collective healing.
  • Haslinger's work prompts a critical reflection on Europe’s violent history, advocating for an acknowledgment of its past to inform contemporary understanding.

Abstract

Josef Haslinger’s novel Jáchymov (2011) engages with a particular troubling episode of Czechoslovakia’s immediate postwar history: the arrest of the entire national ice hockey team on 13 March 1950 and its members’ subsequent imprisonment and condemnation to work in the uranium mines of Jáchymov, having been accused of treason, criticism of the regime, and the intention to emigrate. In the novel, an aging publisher in poor health, Anselm Findeisen, gets to know the daughter of one of the prisoners, Bohumil Modrý (1916–1963), and encourages her to tell her father’s story including the traumatic impact of what happened on her father and herself. The novel uses a multidirectional model of memory, integrating and moving between various historical narratives: the history of the “Third Reich”; Czechoslovakia before, during, and right after World War Two; the past of other Eastern Bloc countries, and finally also the history of Western Europe. The main characters in the novel Jáchymov seek to develop strategies on how to communicate on traumatic events. In doing so, the text tries to imagine a “life in common” informed by a reflection on the “bloodlands,” the history of trauma and violence—experienced in many different ways—that needs to be acknowledged in order to understand Europe today.

Ask AI
Helpful
Bookmark
Share
View Full Paper

Cite This Study

Carl Niekerk (2026) studied this question.

synapsesocial.com/papers/6a1bcfb05783ba022b6fbbbahttps://doi.org/10.3368/m.118.1.69
Ask AI
Helpful
Bookmark
Share
View Full Paper