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April 1, 1971Journal of Aesthetic Education435 citations

Signs and Meaning in the Cinema

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SSStuart A. SelbyPWPeter Wollen

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Abstract

A revised second edition of the text, this work explores the way in which a new approach to the cinema can be combined with a new approach to aesthetics. The book is divided into three main sections: the first deals with the work of S.M. Eisenstein, both as a director and theorist of his art. The second concerns the auteur theory and investigates the recurrence of themes and images throughout a dirrector's career. The third section shows how the study of cinema can be considered as a province of the general study of signs.

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Selby et al. (1971) studied this question.

synapsesocial.com/papers/6a214f96a2a97f3a085af021https://doi.org/10.2307/3331682
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