The research conclusion indicates that this paper has deeply explored the artis-tic representation and cultural connotations of natural imagery in Mongolian landscape oil paintings. Through the analysis of historical classic works, it sys-tematically expounds the artistic transformation mechanism of regional land-scapes such as grasslands and deserts. The research shows that Mongolian land-scape oil paintings emphasize a grand sense of space in their spatial construc-tion, have pure and bright color language, and create a unique aesthetic charac-ter. These creations are not only visual presentations of natural scenery, but also artistic carriers of the spiritual core of the nomadic civilization. Contem-porary artists, while inheriting traditional themes, have injected contemporary vitality into Mongolian landscape oil paintings through media innovation and form exploration. The research results have expanded the academic scope of Mongolian art research, provided a typical example for cross-cultural art ex-change research, and has important reference value for the modern transfor-mation of traditional art.
YULIANG et al. (Tue,) studied this question.