The twentieth century saw a remarkable revival of Western early music, with the harpsichord emerging as a pivotal instrument in this movement. Beyond its renewed role in historical performance, the harpsichord also gainedincreasing recognition as a medium for new music. However, a limited understanding of the instrument’s unique characteristics led some modern works to lack depth and authenticity. This raises an important question: how can the harpsichord be revitalized and infused with new life without compromising its historical essence? Bohuslav Martinů’s harpsichord music offers a compelling answer to this challenge, effectively bridging the gap between tradition and innovation while offering valuable insights for future exploration.
Hanguang Wang (Sun,) studied this question.
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