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The Chosen is a wide-reaching series born within American Evangelicalism in 2019, whose academic interest resides in its value as a cultural product that has been gaining influence after the release of its four seasons. This article discusses the reception of Mary Magdalene in two chapters (S1/E1 and S2/E5) on the basis of two key principles that characterise North American conservative Evangelicalism: biblical inerrancy and its “born-again” model of conversion. The last part presents the difficult compromise between these religious values and filmic fictionalism, which leads to maintaining the traditional image of the repentant prostitute, though with a few particularities: the disappearance of all features of sensuality, an ambiguous interpretation of demon possession that is linked to an episode of sexual abuse and the story of Mary Magdalene’s childhood.
Lidia Rodríguez Fernández (Fri,) studied this question.