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The article considers the possibilities of using modern Ukrainian vytynanka in interior design and graphic design, made with due regard for original Ukrainian traditions. The historical and social prerequisites for the development of this type of art are outlined, since vytynanka has powerful creative possibilities, harmoniously combining art and craft. It is emphasized that the production of vytynanka does not require a special material and technical base, and this allows many amateur artists to realize their creative potential, involving them in folk culture. It has been determined that Ukrainian vytynanka as a component of ethno-design is a form of creative activity with a pronounced ethnic component based on folk traditions, synthesizing artistic and technical components and having the prospect of mass replication of these products. At the same time, Ukrainian vytynanka can be used in art therapy to support people in difficult life circumstances, as well as as a means of national and patriotic education of young people, as it helps to affirm the national identity of Ukrainians. Vytynanka can be used to draw the world's attention to Ukrainian culture, which is an important task during the war in Ukraine. Vytynanka, thanks to its appeal to folklore sources, accessibility, mass production, and simplicity, can influence the development of Ukrainian ethnic design, which in the future, during the postwar development of Ukraine, should become the basis for the revival of culture, spiritual values, and self-identification of Ukrainians. The creative modernization of such a traditional art form as vytynanka will contribute to the development of the national style and the establishment of Ukraine's cultural image in the world. The purpose of the study is to identify current trends in the development of Ukrainian vytynanka in the context of ethnic design, considering its potential for further popularization of Ukrainian culture in the field of design. The methodology is based on comparative-historical, descriptive, analytical, and art historical methods to determine the culture-creating potential of vytynanka as a component of folk material culture and a trend in contemporary ethnic design at the same time. The relevance and scientific novelty lies in the consideration of the art of vytynanka of the modern period, taking into account its specificity and the possibilities of popularizing Ukrainian culture in the world with the help of ethnodesign as a materialized means of artist's expression.
Ilona Syvash (Thu,) studied this question.