Preliminary Notes toward a Destituent Art

Abstract This article argues that, by looking to the generalization of a certain kind of artistic or creative character in paradigms of work, there is a view onto a different kind of relationship between culture and militant action and fugitivity. Here, the term destituent art is proposed to sketch out a form of cultural production that does or might lay waste not only to institutional targets of critique but also to the structurally immanent belief in institutional reform that underlies the aesthetics of that critique. It is an invitation to reconsider some key myths that structure art discourse (even if they appear as objects of critique) and an appeal to read that discursivity as not just productive but potentially destituent. To do so, the author reads operaismo's rereading of Marx against Marxism alongside theorizations of destituent insurrection through the subject of the artist. Some recent social movements in New York City targeting art institutions are analyzed to consider this connection. Like Colectivo Situaciones’ discussion of destituent insurrection as a grammar that unifies surplus populations through their expressions of refusal (the riot, the strike, the commune) that are simultaneously modes of reorganizing forms of life, a destituent art would not signal a turn to a productive pessimism—that all creative work is already subsumed—but that the cultivation of destituent power actualizes and is actualized by the aesthetic production of places of action.