Key points are not available for this paper at this time.
Abstract This article discusses portrayals of a Ukrainian and a Polish character on the US sitcom 2 Broke Girls (2011–2017). The pilot episode reveals that the showrunners used stereotypes of Russian characters to establish different national origins for Oleg and Sophie. The show perpetuates offensive stereotypes of Slavic and postsocialist characters to elide differences from Russians but with notable distinctions—stemming from Oleg and Sophie's economic backgrounds in the struggling postsocialist economies of the 1990s. American television has produced many comedic characters from the European margins (Greek, Czech, Ukrainian, Polish, Latvian, or from invented but East European-coded lands) who were understood as chaotic but loveable. Crucially, however, they were not Russian. From the late Cold War through the 2010s, Russianness onscreen seems to consistently signal dishonesty, danger, or hopelessness for Western audiences. This suggests that while stereotypes persist, in comedy, at least, showrunners use East Europeans to support, not threaten, American characters, further othering Russianness.
Erica L. Fraser (Wed,) studied this question.