Analysis of the artistic characteristics and singing of the aria “Ritorna Vincitor”

Verdi’s four-act opera “Aida” has achieved great success since its premiere in Cairo on December 24, 1871 and it remains a staple in major opera houses worldwide. The work poses significant demands on dramatic sopranos, specifically with its wide vocal range and intense dramatic conflicts. Analyzing its artistic characteristics and singing techniques helps vocal performers continuously improve their singing level and ability to portray characters, providing valuable references for vocal students. This paper uses “Ritorna vincitor” as an example, employing literature research, music analysis, and stage practice to introduce Verdi’s compositional techniques and style, and to study the piece from multiple angles such as form, harmony, mode, rhythm, melody, language, and stage performance, finally combining research with stage practice.