Liminality, Situated Digital Tales, and the Pandemic: Three Cases of Radical Placemaking in Australia

Abstract Settlers of colour occupy a liminal space in the settler colony of Australia, and this liminality was exacerbated during the COVID‐19 pandemic. Through the literature on digital activism, technological immersion, and placemaking, this paper explores Radical Placemaking as a route for culturally and linguistically diverse (CALD) people based in Brisbane to stake their right to the city through alternative digitised modalities. Three projects using situated digital stories were created: (i) the Chatty Bench Project; (ii) the TransHuman Saunter Project; and (iii) Chatty Bench Festival Community Media Visual Projections. We analysed the experiences of study participants creating the digital stories and eventual user experiences of the stories for their ability to provoke self‐reflection, immersiveness, and belonging through evocation and representation of lived experiences. The paper suggests that radical placemaking offers CALD communities subversive tactics of occupying space through emerging technologies without engaging in erasure of existing histories of place.