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The 1989 Sahitya Akademi award-winning novel by Amitav Ghosh, The Shadow Lines, is a postcolonial, postmodernist, historical novel that takes us on to a roller-coaster ride through different time zones of history, unravelling the experiences of three generations of three families spread across three countries.It gives us an insight into the life and times of people during and after the country's division into two nation states.It is about blurring borders, sectarian violence, love-across the borders, metaphors of madness.There is a subtle interweaving of politico-personal facts with fiction that are revealed through a series of reminiscences from the unnamed narrator as he comes to terms with his own sexuality.He leads us to decipher the meaning behind the binaries of "us" and "them" as his family members get caught in a vortex of violence on either side of the borders.The age-old notions about nation, nationalism, freedom get debunked and man's search for identity continues.As such, in Ghosh's words, it is "a book not about any one event, but about the meaning of such events and their effects on the individuals who live through them."Ghosh's descriptive writing style, his digression-in-digression technique, his stream of consciousness mode throws open some very pertinent, unexplored, and veiled meanings before its readers.The narrative lingers in the shadows between illusion and reality, past and present, lending it a newer perspective with each subsequent reading.This paper tends to explore Ghosh's masterly strokes as he uses motifs and symbolism to add greater depth and meaning to his narrative.
Jyotika Elhance (Sun,) studied this question.