Study on the Incense Burners Unearthed from the Tomb of Marquis of Haihun of the Han Dynasty: Focusing on Boshanxianglu with Phoenix and Tortoise Designs

This paper explores the stylistic features and artistic significance of the “Boshanxianglu with Phoenix and Tortoise Designs” unearthed from the recently discovered Han dynasty burial site (92~59 BCE) of Liu He, the Marquis of Haihun, located in Nanchang, Jiangxi Province, China. It discusses the incense burner’s function, consumer group, and cultural context that contributed to its widespread adoption.Liu He, the grandson of Emperor Wu, held the titles of King of Changyi and Marquis of Haihun. He was also deposed as an emperor. The sixteen bronze incense burners found in his tomb are a testament to the prevalent beliefs in immortality and the aspirations of the royal family. The symbolism of the phoenix and tortoise on the “Boshanxianglu with Phoenix and Tortoise Designs” encapsulates the themes of longevity and immortality, hinting at a journey to the celestial realm. As Confucianism-based rationalism gained traction during the later Han dynasty, notions of ascension evolved, leading to a decline in the popularity of incense burners adorned with phoenix and tortoise motifs. This type of incense burner was discovered in upper-class males’ study chambers or reception areas, suggesting their predominant usage among men.In Nangnang, a Han commandery on the Korean Peninsula, various incense burners influenced by Chinese styles were used. The standout discovery of the “Boshanxianglu with Phoenix and Tortoise Designs” at the Sŏgamni No. 9 site, suggests a tailored approach to incense selection and usage based on individual preferences, purposes, and consumption habits within Nangnang society.