Visions and Narratives of Large-Scale Projects of Socialist Vojvodina

p class=Abstract style=text-align: justify;span lang=sr-Cyrl-BAIn this paper, three case studies of various nature/spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A;s/spanspan lang=sr-Cyrl-BA, scale/spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A;s/spanspan lang=sr-Cyrl-BA and position/spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A;s/spanspan lang=sr-Cyrl-BA within the discipline are identified and analyzed as exemplary of Vojvodina in the discussion of large-scale projects of socialist Yugoslavia. /spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A;The i/spanspan lang=sr-Cyrl-BAnterpretive-historical method is used to describe and interpret the case studies, while primary sources are subjected to qualitative content analysis in order to extract the underlying narratives of these projects, as well as to establish their position more firmly in the field. The first one is the Grand Canal Danube-Tisa-Danube (iDTD/i waterway), the biggest spatial project of Vojvodina, conceptualized by the engineer Nikola Mirkov /spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A;in/spanspan lang=sr-Cyrl-BA 1947 a/spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A;nd/spanspan lang=sr-Cyrl-BA completed by /spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A;the /spanspan lang=sr-Cyrl-BAearly 1980s. The second is the case of two plans for road and railway networks in Vojvodina by the architect Dimitrije Marinković, from his 1950 General Plan of Novi Sad, which proved to be more visionary than plans made by spatial planning institutions /spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A;since/spanspan lang=sr-Cyrl-BA. The third case is a network of memorial graveyards iRohalj Baze/i (1973) and iJabuka/i (1974) on the Fruscaron;ka Gora mountain by the architect Milorad Berbakov, as an example of a new landscape-based paradigm of Yugoslav memorial architecture in Vojvodina. The questions discussed in this paper are/spanspan lang=sr-Latn-BA style=mso-ansi-language: #181A; as follows:/spanspan lang=sr-Cyrl-BA 1) the importance of narratives for the success of a project; 2) the expanded definition of projects to include networks; 3) arts as networks (with iNeoplanta Film/i as a showcase); 4) the creative output of individual creators versus institutions./span/p