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This paper explores Ernest Hemingway's Iceberg Principle, a significant narrative technique that revolutionized modern literature. It delves into how Hemingway's minimalist style, characterized by sparse, concise writing, conceals deeper meanings beneath the surface of the text, much as an iceberg's hidden mass. Through analyzing key works such as "The Old Man and the Sea" and "Hills like White Elephants," the paper illustrates how Hemingway's deliberate omissions invite readers to uncover the underlying complexities of his narratives.
O‘tkir PARDAYEV (Sun,) studied this question.
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