Abstract Barbara Neely’s first two hard-boiled novels manifest features of contemporary narratives of slavery. The paper investigates the hybrid and seemingly ambiguous co-presence of two generic traditions in Neely: the hard-boiled crime novel’s lonely detective hero and scepticism are contrasted to the neo-slave narrative’s trickster protagonist and hopeful stance. The paper demonstrates that the hybrid presence of the two generic traditions withstands a binary logic of social scepticism versus hope. Neely’s novels trace a personal strategy of social resistance performed by Blanche White, Neely’s black female detective, who fights institutional racism via individual acts of speaking out and producing alternative knowledge. (ÁZSK)
Ágnes Zsófia Kovács (Mon,) studied this question.