Abstract Animals appear in different kinds of sources in medieval Islam, from the Quran to animal fables and works of belles-lettres . This article benefits from previous research on Islam’s attitude towards animals, specifically from the viewpoint of the ascetic-mystical stream of Islam during its classical stage. It examines animals in early Sufi narrative material from three perspectives. The first is the theological-ethical perspective that both questions Sufi morals in approaching animals and animality as well as the allegorical use of animals to portray the human psyche. The second perspective is the narrative angle that examines narrative tropes that use animals as a literary device to enhance human piety. The third perspective is ontological and it examines animals as active agents and practitioners of Sufi piety who share bonds and cosmic interconnectedness with human devotees. This cosmic interconnectedness implies an encompassing unity of the universe in which both human and non-human beings are able to obtain God’s love and intimacy. After an introduction that places the topic within a broader framework of studying animals in Islamic culture, the article approaches stories as a substantially significant source for Sufi thought. It then discusses the three proposed perspectives using birds, lions and dogs as case studies.
Arin Salamah-Qudsi (Fri,) studied this question.