From Philosophy to Canvas: An Empirical Model of Confucian Visual Translation in Malaysian Chinese Art

This study advances the Confucian Visual Transformation Model (CVTM) to analyse how Confucian values are visually reformulated in contemporary Malaysian Chinese art. Integrating artist interviews (n = 5), symbolic visual coding, and audience surveys (n = 227), the research addresses the lack of empirical frameworks for transcultural aesthetics. While an initial exploratory factor analysis (EFA) confirmed four dimensions—Ren (benevolence), He (harmony), WenZhi (technique-ideology), and MeiShan (aesthetic-moral)—it also revealed structural overlaps. Consequently, the study proposes CVTM 2.0, which replaces additive metrics with a tension-driven fusion mechanism. Key innovations include a Symbolic Tension Index (STI) for dynamic weighting and a fuzzy integration layer to handle overlap between WenZhi and MeiShan. Results indicate that Confucian dimensions are not static but are activated through compositional and material tensions. Theoretically, this reframes Confucian aesthetics as a context-responsive system; practically, it offers a replicable blueprint for analysing postcolonial identity negotiation in Southeast Asian art.