Abstract Despite the expansion of research on South Asian courtesans, there has been no attempt at a critical historiography on courtesans alone. Within this larger gap, the specific connections between travel, mobility, and female performers in South Asia have not been adequately theorised. By making a critical intervention into the historiography of courtesans, we hope to aid in the establishment of what could be termed ‘South Asian courtesan studies’ as a recognised field of scholarship. Foregrounding the historical method for research into courtesans, the articles here show that beyond conventional ethnographic sources, there is a rich textual, visual, and material archive, largely unexplored until recently. They reveal both the transnational and local, and the spectacular and quotidian circuits of female performers’ travels. These include religious sites and participation in rites of passage like weddings but also extend beyond South Asia into the theatre spectacles and exhibitions of Europe. In the context of empire, this volume maps how female performers travelled in local, regional, and transnational contexts, and whether they were able to transcend the hypersexualised colonial trope of the ‘ nautch girl’. This special issue offers a sample of the new developments in this growing field to catalyse its further expansion.
Kapuria et al. (Wed,) studied this question.