Representations of industrial life have long been understood to be essential to the Soviet project, and this article analyzes the distinctive, but overlooked, functions of narratives and images of women workers at the factory workbench in the 1920s, and their ramifications for understanding Soviet paradigms of gender. Examining the place of mechanized labor in Aleksandra Kollontai’s theory of women’s emancipation in conjunction with the programs of labor theorist Aleksei Gastev demonstrates the establishment of mechanized labor and its tools as essential to utopian representations of Soviet social and gender relations beyond the factory. In this light, the article traces the establishment of the stanok, or factory workbench, as a metonym for new collective labor, and an interface with other nascent Soviet institutions and the new byt, or everyday life, in the mass illustrated periodical for urban women, Rabotnitsa (The Woman Worker), in the 1920s.
Emma Simmons (Fri,) studied this question.