Indian music, broadly known as Sangeet , encompasses three interconnected components: instrumental music, vocal music and dance. Over the centuries, these art forms have been nurtured by communities and royal patronage. In Rajasthan—particularly in Jaipur—the seventeenth and eighteenth centuries witnessed remarkable institutional support for music through specialised departments such as the Gunijankhana , reflecting the rulers’ deep commitment to cultivating the arts. This article explores the structure, patronage, notable figures and enduring legacy of Jaipur’s musical institutions, focusing on Maharaja Sawai Jai Singh and his successor Sawai Pratap Singh, whose reigns marked a golden era of musical development in the region. Existing historical studies—such as Cultural Heritage of Jaipur, 36 Karkhanas—Jaipur City: A UNESCO World Heritage Site and Jadunath Sarkar’s A History of Jaipur: c. 1503–1938 —situate the Gunijankhana within the broader context of Sawai Jai Singh II’s cultural patronage, emphasising its symbolic role in attracting musicians, dancers and artists to the new capital. However, these works offer minor references to the institution’s internal operations. They provide little to no detail about the Karakhana’s organisational structure, chain of command or the criteria by which performers were recruited, ranked and remunerated. Addressing this research gap, the primary objective of this study is to examine the Gunijankhana through extensive primary archival sources. This article investigates its organisational structure, the roles and functions of musicians and dancers, and the techniques they employ. Numerous documents from the Rajasthan State Archives provide detailed insights into the professional lives of these artists. The study aims to reconstruct the day-to-day workings of the Gunijankhana —how it was staffed, how artistic labour was managed and how performances were documented—thereby shedding light on the administrative machinery that powered Jaipur’s celebrated artistic renaissance.
Monisha Raj Soyal (Thu,) studied this question.
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