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This study intends to show how Russophobia was presented in English visual and written media through the lens of the most important political doctrine of 18 th -century foreign policy: the idea of the balance of power. Using the Ochakov crisis (1791) as a case study, it analyses the most relevant satirical prints pertinent to this issue and explains their iconography. Special emphasis is placed on the representation of Russia as a bear, as well as Catherine II's depiction in the guise of a bear or with the features of a bear. In addition to the visual sources mentioned, an interesting segment of the written media is examined to show how Russophobia surfaced in the articles of a popular magazine.
Endre Sashalmi (Sat,) studied this question.
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