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Abstract. The three terms Roots, Rock and Breizh (or ‘Brittany’) seem to make unlikely companions: their meeting looks more like a collision than a confluence. However, these disparate forces have fashioned a unique cultural dynamic in Brittany. This paper analyses this cultural-nationalist movement. It considers its socio-cultural context, presents some case studies of particular singers and festivals, and evaluates the movement's significance.
Sharif Gemie (Sat,) studied this question.