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Abstract The forces of globalization are magnifying the importance of interdisciplinary creative work. While the field of creativity studies always has been more open to interdisciplinary idea borrowing than many other fields, it can and should do more interdisciplinary synthesizing. This article begins with a discussion of the rationale for encouraging interdisciplinary work in the field and then explores several examples of constructs imported from various disciplines that can enrich theory and research in creativity studies. These constructs include market fundamentalism from economics, and networked science from various STEM fields. Some other candidates for importation also are discussed briefly.
Don Ambrose (Fri,) studied this question.
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