What does this research mean for the field?

In Alisher Navoi's epic 'Hayrat ul-abror', the images of the candle and the moth serve as crucial literary devices with rich semantic layers that illuminate the poem's mystical and philosophical content. Novelty: ClaimNovelty.INCREMENTAL. Consensus alignment: ConsensusAlignment.NEUTRAL.

What question did this study set out to answer?

The aim is to analyze the symbolic significance of the images of sham and parvona in Navoiy's works.

June 3, 2026SCIENCE TIME0 citationsOpen Access

Sham’ Va Parvona “Hayrat Ul-Abror”da

TQTurdiyeva Shodiya Xusniddin qiziAcademy of Sciences Republic of Uzbekistan

Key Points

The aim is to analyze the symbolic significance of the images of sham and parvona in Navoiy's works.
Analyzed poetic imagery in Navoiy's poem "Hayrat ul-abror".
Examined the meanings of sham and parvona images through various metaphors.
Highlighted the poet's skillful use of language and imagery.
Identified multiple meanings expressed through sham and parvona in Navoiy's poetry.
Showed the richness of meaning in the context of tasavvuf literature.
Clarified the importance of these images in enhancing the content of the verses.

Abstract

Sharq mumtoz adabiyoti o‘zining obrazlar xilma-xilligi bilan ajralib turadi. Mumtoz adabiyot, ayniqsa, tasavvuf adabiyoti uchun obraz she’r mazmunini ochib beradigan asoslardan biri. Xususan, Navoiy ijodida obrazlar muhim ahamiyatga ega. Shoir ijodida ko‘plab obrazlar singari mug‘bacha, darvesh, orif, zohid, obid, soqiy, sufiy, gul, bulbul, oshiq, ma’shuq, raqib, ag‘yor, yor, may, murid, murshid, jom, sham’ va parvona obrazlaridan keng foydalangan. Bu obrazlardan sham’ va parvona shoirlarning ijod namunalarida turli mazmunlarni ifodalagan holda ko‘p uchratish mumkin. Navoiy ijodida istifoda etilgan sham’ va parvona obrazlari ushbu maqolada tahlil etildi. Bunda obrazlarning ma’noviy qatlam jihatidan boyligi, turli tashbehlar orqali bayt mazmunining yoritilishi, ijodkorning so‘zlardan foydalanish mahoratiga alohida ahamiyat berildi. Shoirning “Hayrat ul-abror” dostonida foydalanilgan sham’ va parvona obrazi tahlil qilindi hamda baytlarning ma’nosi sharhlandi. Bu obrazlarning asardagi o‘rni belgilandi.

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