武侠电影客栈空间的权力、性别与文化身份叙事隐喻——以胡金铨《大醉侠》为例

Key Points

• The aim is to analyze the narrative metaphors within the tavern spaces of wuxia films, focusing on power dynamics, gender politics, and cultural identity.
• Textual analysis of Hu Jinquan's 'The Drunken Hero'
• Symbolic interpretation of narrative elements
• Exploration of the nested relationships among power, gender, and cultural identity.
• Reveals a nested relationship among power, gender, and cultural identity in the tavern space narrative.
• Demonstrates the disruption of traditional power structures and gender paradigms.
• Highlights cultural identity anxieties through the 'guest' and 'in-between' attributes of tavern spaces.