Representation of the Soviet aesthetic ideals in the functional structure and imagery of public interiors in the 1930s.

The study examines the influence of Soviet aesthetic ideals on the functional structure and imagery of interiors. Tendencies are identified in Soviet public interior design in the 1930s. A comparative analysis of a series of objects from that period revealed certain interior design features: increased operational loads contributed to the alignment of the spatial content with architectural components; formal compositional challenges included issues of scale, proportion, and rhythmic relationships within the new, expanded spaces; associations and viewing scenarios became a tool for creating an emotionally oriented environment influencing visitor perception.