In an era when traditional arts are no longer in their golden age, Peking Opera faces significant developmental challenges. Practitioners, especially young artists who have yet to establish their reputations, encounter multiple difficulties in gaining a foothold in the industry. Therefore, this paper employs the concept of waithood and considers Peking Operas unique characteristics to analyze three main challenges faced by young practitioners: the closed nature of Peking Opera skills makes career transition difficult; traditionalist mindsets and high linguistic barriers reduce its modern appeal; and the long training period coupled with low returns exacerbates career uncertainty. On this basis, the paper explores how new media may offer potential solutions. It concludes that new media alleviates the waithood of young Peking Opera practitioners through three pathways: "knowledge generalization" (short videos, online teaching), "audience expansion" (interactive recreations, cross-art integration), and "efficiency improvement" (instant feedback, cloud rehearsals). This provides a model for integrating traditional art with modern communication. Future efforts should further explore common strategies for the revitalization of other traditional arts.
YU Qiu-shi (Thu,) studied this question.