Key points are not available for this paper at this time.
In contemporary Indian literature, post-independent writers grapple with the complexities of identity and nationhood amidst historical legacies such as partition, migration, displacement, and violence. These issues delve into the primal origins of people and their subsequent diasporic experiences, which challenge their cultural and societal identities. This paper aims to delve into the theme of transcending national identity in Amitav Ghosh’s novel, The Shadow Lines. Through the novel, Ghosh interrogates the construction of borders and national identities, probing the boundaries between people and the geographical landscapes they inhabit. Set against the backdrop of significant historical events like the freedom movement in Bengal, the Second World War, and the partition of India in 1947, the narrative spans three generations across three distinct cities—Calcutta, Dhaka, and London. The characters navigate diverse horizons, shaped by memories of traumatic historical events and nationalist struggles. Their journey from ‘Going Away’ to ‘Coming Home’ is marked by blurred lines between nations and families, symbolized as ‘Shadow Lines,’ transcending temporal and spatial borders in their diasporic experiences. Additionally, the paper delves into the intricacies of individual identity and the inner and outward conflicts arising from geographical dislocation and cultural disparities depicted in the novel.
Hoda et al. (Fri,) studied this question.