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Abstract: In the cultural milieu of the 1990s, Quentin Tarantino's Pulp Fiction (1994) emerges as a compelling exploration of spiritual and moral ambiguity. The film's flamboyantly postmodern narrative intertwines themes of grace and the miraculous, culminating in moments of profound existential reflection—with an ironic twist. Set against the backdrop of a post-Cold War era marked by uncertainty, disillusionment, and hope, Pulp Fiction navigates complex moral and ethical terrain. This paper analyzes Tarantino's movie alongside contemporaneous auteurs such as the Coens and Fincher, exploring their shared engagement with themes of justice, morality, and existential meaning. Through a lens of cultural reenchantment, these films illuminate the moral dilemmas of an era in transition.
Ilaria Biano (Sat,) studied this question.