Is a New Chinese Literary History Possible? A Critical Investigation of The Cambridge History of Chinese Literature

Abstract The publication of The Cambridge History of Chinese Literature in 2010 stands as a significant achievement in the field of Chinese literary studies within the global field of Sinology. This groundbreaking work challenged the prevailing narratives of Chinese literary history in two key areas: writing style and perspectives of literary history. By employing updated methodologies, the authors addressed the practical question of how to effectively rewrite Chinese literary history. Additionally, they relied on historiographic principles to reconsider the theoretical issues surrounding the nature of Chinese literary history and the reasons behind its rewriting. Through a comprehensive investigation, this literary history offers a theoretical response to the question of what Chinese literary history truly entails. It sheds light on two fundamental compilation principles: the history of history and the history of literary culture. These principles revolve around the three core elements of history, literature, and China itself. By examining the book’s interactions with the mainstream Western theoretical community, insight may be gained into the motivations behind the writing process and the paradigmatic shifts within contemporary overseas Chinese literary history.