Gobelin tapestry, as a form of handmade art, represents a significant part of the cultural and textile heritage, especially in the Balkans and the wider European region. This paper explores the transformation of gobelin tapestries as a decorative element in the home and their integration into contemporary fashion design. The research begins with the historical roots of gobelin tapestry its symbolic and aesthetic values, as well as the techniques used in their production. Special emphasis is placed on its role in the Macedonian tradition, where gobelin tapestry not only had a decorative function, but also symbolized female skill, patience and creativity, and mostly women's textile art, but men were no exception in the production of clothing, this textile art was rooted thousands of years ago in Macedonia, women first using woolen threads obtained from the goods they kept, then silk threads that they also produced themselves, and then imported and much more sophisticated needles and threads were used. The aim of the paper is to show how a traditional gobelin tapestry can be reinterpreted and adapted in the context of the modern fashion scene. Through the analysis of specific examples from domestic and international fashion designers who use tapestry motifs, textures and techniques in their collections, the creative potential of the old with the new is revealed. The paper also explores in what ways contemporary clothing can preserve the authenticity of gobelin tapestry making by introducing innovations through new materials, technologies and approaches. The research is based on the analysis of visual materials. The results show a growing interest in unique, handmade and culturally authentic pieces, especially in the context of sustainable fashion. Gobelin tapestry should not be seen only as a thing of the past artistic heritage, but as a source of inspiration and innovation in design. Through its adaptation, it is possible to preserve cultural identity while developing a contemporary expression that values tradition.
Dimitrijeva et al. (Thu,) studied this question.