In this article we argue for the necessity of a digital edition to most accurately represent the textual tradition of the Homeric epics and to better understand the oral performance tradition that created the poems. We demonstrate how such a digital criticism would differ from the traditional textual criticism as practiced for editions in print and suggest how a digital criticism might open new avenues for the interpretation of the poetry. In defining our needs and goals for a digital edition, we discuss what our project has in common with other digital editions of literary works, but how the oral, traditional nature of the poetry creates special requirements as well. In addition to elaborating the editorial approach for the project, we reaffirm the principles of collaboration, international standards, and open access that we have learned from Ross Scaife, the founder of the Stoa Consortium.
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Casey Dué
University of Houston
Mary Ebbott
College of the Holy Cross
Digital humanities quarterly
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Dué et al. (Thu,) studied this question.
synapsesocial.com/papers/69bf8978f665edcd009e923f — DOI: https://doi.org/10.63744/4g7mty4uhmb5
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