This article examines how Byron’s Hints from Horace anticipates the interlocking literary elements of Cantos V-VI of Don Juan. After completing an article on contemporary reviewers’ harsh remarks about Don Juan I-II the author reshapes, in the new cantos of Don Juan, the early satire’s recurring concepts taken from Horace’s The Art of Poetry. Byron illuminates the themes of love, heart, struggle, fate, and mutable circumstance manifested in Hints from Horace, incorporating a predominant idea of enslavement epitomized in Juan, Gulbeyaz, Baba, and Dudú. His awareness of Horatian poesy elucidates coherent features of the major figures, who are enslaved to their desires and ambiences. Byron’s overarching concern with the significance of rhyme scheme facilitates the ottava rima form to effectuate the vivacious development of key concepts, structure evolution, and character portrayals. The writer’s reworking of Hints from Horace adds depth to comprehend poetic themes and devices in Don Juan V-VI, reinforcing inventive prowess and ethical perspectives in his literary oeuvre.
Jie-Ae Yu (Sat,) studied this question.