Grounded in a typological framework, this study utilizes design-based research to systematically examine urban furniture in Macau, specifically interrogating the mechanisms of morphological continuity and spatial evolution. Through extensive field surveys and iterative design practices, the research identifies pronounced deficiencies in existing urban furniture, particularly concerning cultural resonance, functional versatility, and environmental synergy. To resolve these issues, the study proposes a typological design methodology predicated on cultural identification, archetypal restoration, and morphological innovation. This framework is articulated through three strategic pillars: (1) reconfiguring the structural logic of vernacular architecture via analogical synthesis; (2) recontextualizing architectural symbols to facilitate the contemporary translation of cultural heritage; and (3) calibrating ergonomic performance with aesthetic cohesion through rigorous proportional reasoning. Empirical validation confirms that this approach substantially augments both the cultural legibility and spatial fluidity of urban furniture. Ultimately, this research establishes a refined theoretical and methodological template for urban design in culturally heterogeneous contexts.
Wang et al. (Mon,) studied this question.