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This report examines the ways in which mapping is performative, participatory and political. Performativity has received increasing attention from scholars, and cartography is no exception. Interest has shifted from the map as object to mapping as practice. Performativity is a cultural, social and political activity; maps as protest and commentary. The internet both facilitates and shapes popular political activism, but scholars have been slow to grasp amateur political mappings, although analysis of political deployments of mapping in state, territorial and imperial projects remains rich. Finally, some authors suggest that cartography be understood as existence (becoming) rather than essence (fixed ontology).
Jeremy W. Crampton (Thu,) studied this question.