This paper examines the evolution of visual storytelling in American comic books across three distinct eras: the pre-code period prior to 1954, the Comics Code Authority (CCA) era from 1954 to 1971, and the post-code period following the code's revision in 1971 and eventual dissolution in 2011. Drawing on analysis of twenty-four comic series held in Michigan State University's Special Collections, this paper investigates how the CCA censorship regulations shaped illustrators' depictions of crime, horror, race, and gender across the multiple ages of comics. The paper argues that despite the CCA's restrictive forty-one-point guidelines, comic illustrators consistently developed creative strategies to resist and circumvent censorship, from publishing without the CCA seal of approval to incorporating progressive racial and gender representation in the post-code era.
William Chiampas (Thu,) studied this question.