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In this article the author considers graffiti as upcoming tools of political agitation and advocacy. The author analyzes the origins and development stages of the graffiti subculture. The article considers contradictions in the system of relations between society and subculture of graffiti: on the one hand, the phenomenon is perceived as the result of cultural crisis, and on the other - as part of the mass of street culture. Graffiti’s assessment duality, recognition of graffiti as art and at the same time, as vandalism lie in its origin and gradual complication.
Anastasiya Skorik (Thu,) studied this question.