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Abstract In this visual essay that serves as an introduction to the set of articles presented in this issue, we illustrate four ways that art makes society. We adopt a stance informed by recent perspectives on material culture, moving away from thinking about art purely in aesthetic terms, instead asking how art objects have significance in particular cultural and social contexts. Arguing that art is participatory as well as visually affecting, we first suggest that art creates sites of activity for shared interaction. Second, we discuss the varied ways that people use art to create and assert representational models for social relations. Third, we consider the varied roles of art as cultural capital, marking out members of society through shared forms of knowledge or access to art. Finally, we document the ways that art serves as a medium of exclusion and as a means for resisting authority or challenging power relations. We highlight the layered meanings inherent in many artworks.
DeMarrais et al. (Fri,) studied this question.