Key points are not available for this paper at this time.
Borio, Pozzi and Roggero (eds.) 2005 have characterised operaismo as 'neither a homogenous doctrinaire corpus, nor a unitary political subject', but rather 'multiple pathways with their roots in a common theoretical matrix'. Starting with a diagram drawn up by Primo Moroni in the 1980s, this paper will explore a number of the ways in which those paths might be mapped out, in terms of key categories and projects, above all for the years that follow 1979.
Steve Wright (Tue,) studied this question.