In a context that has expanded to the global stage, the Canadian North has become a sparring ground for environmentalists, politicians, and industry. In all the commotion, the sounds made by non-human organisms and elements are falling by the wayside. I seek to address this imbalance by highlighting sub-Arctic sounds through music. Looking specifically at the cryophonics (ice sounds) of Great Slave Lake, I will first examine particular acoustic properties of this environment and secondly my creative products that have resulted from in-depth study.
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Carmen Braden (Wed,) studied this question.
synapsesocial.com/papers/68c1e24d54b1d3bfb60ff6c9 — DOI: https://doi.org/10.21810/aer.v14i1.6093
Carmen Braden
Miami University
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