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This research uncovers various acoustic properties of ice sounds in sub-Arctic environments, suggesting the need for a balanced environmental discourse.
In a context that has expanded to the global stage, the Canadian North has become a sparring ground for environmentalists, politicians, and industry. In all the commotion, the sounds made by non-human organisms and elements are falling by the wayside. I seek to address this imbalance by highlighting sub-Arctic sounds through music. Looking specifically at the cryophonics (ice sounds) of Great Slave Lake, I will first examine particular acoustic properties of this environment and secondly my creative products that have resulted from in-depth study.
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Carmen Braden (2023) studied this question.
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